JAPAN FOUNDATION WORLDWIDE

With remarkable economic growth, India has been rapidly developing its urban areas. In fall 2010, the country hosted Commonwealth Games (an international sports event that takes place every four years in which the member countries and regions of the British Commonwealth participate) for the first time, and the international airport and subway network in the capital Delhi were improved in time for this event of national importance. While the urban areas benefit from such spectacular news, the rural areas have been left out of such economic growth. The development of infrastructure is still insufficient in many of these areas, and not a few children lack access to education.

Sujata is a small village near Bodh Gaya, Bihar, one of the poorest in 28 states in India. Wall Art Festival was held in this small village from February 19 to 21, 2011, with participation of contemporary artists from Japan and India. It was the second occasion of the festival that started in 2010 when Japanese college students donated a school to the village with the money they earned from their part-time jobs. The school is called Niranjana Public Welfare School (NPWS) and operated by Indian youth in this village who had no access to education in their childhood. Today, the school has grown to be an important education site with more than 400 students from the surrounding area, thanks to cooperation from local residents. The larger the size of the school became as an essential facility of the village, however, the more financial and operational issues began to surface. The school staff and Japanese students who have been supporting the school brainstormed ideas of how to deal with these issues, and they came up with the concept of Wall Art Festival.

Many unconventional ideas can be found in this unique attempt to invite contemporary artists in the international arena to a rural village in India that lacks basic infrastructures. The support group in Japan consisted mainly of college students, so it was difficult for them to provide the school with direct financial support. Instead, they thought about organizing a festival that could be an opportunity for the village to attract attentions from the world and to improve the environment. In India, a number of regions were known for their traditional wall paintings, and NPWS could offer many white walls, if not money, for painting. It was when they came up with the idea of a festival to paint on the walls of the school. If this festival could attract attentions from outside of the village, it could contribute to self-esteem and confidence of people in the village. In addition, the festival could bring visitors to this small village, as the author did.

What made this project more interesting was that it invited artists with global reputation to the festival. The artists showed positive interest and participated in the festival where they could collaborate with innocent children in the village surrounded by the beautiful scenery. One of these artists is Yusuke Asai, who participated in the festival two years in row. He showed a keen interest in traditional Indian wall paintings and planned field research in time for his visit to India this year. At the exhibition, he created a room by filling the entire walls and ceiling with paintings and covering the floor with straw. Working with children, he collected soils from various sites in the village and made pigments from the soils. He used the pigments to paint the walls so that he could draw the memory of the land on the wall.

After the three-day exhibition was over, the Japan Foundation, New Delhi invited the artists for the Artist Talk. Delhi-based Indians gave us many questions and comments on this event. One of them said, “While many Indians today are turning their backs on their tradition in the wave of modernization, a Japanese artist discovers traditional Indian culture and takes it into his own expression to produce a new form of art. I’m touched.” An art work presented by a Japanese artist based on his experience in Sujata stirred Indian’s pride and love for their traditional culture.

The third festival is already scheduled around the same period of February 2012. In addition, starting from April, artists and staffs involved in the festival will report on the project at various sites across Japan. If you are interested, please visit the official website of Wall Art Festival (http://wafes.net/index2.html).

Every year, The Japan Foundation, New York conducts the “Japanese Arts in Latin America” program, or JAILA, which assigns Japanese specialists living in the U.S. to offer lectures, workshops and performances of their own expertise in Latin America. Since the distance between Japan and Latin America is so great, JAILA enables further and deeper cultural exchange between Japan and Latin American countries by tapping into the robust talent pool of Japanese arts and culture professionals living in the U.S. In 2010, four groups of professionals participated in the program and were received with great enthusiasm at every locale. Here are glimpses of their activities.

Lori Matsukawa (center) with Francisco Sakaguchi and his mother, at Tome-Acu, Para.

Lecture Tour by Lori Matsukawa in Brazil
The first tour was by Lori Matsukawa, Co-Anchor at Seattle’s KING5 News, who traveled to four cities in Brazil (Sao Paulo, Tome-Acu, Belem, Brasilia), where there are large populations of Japanese-Brazilians. Her talk was titled “Telling Our Story: Coalition Building and the Asian American Journalists Association,” in which she discussed the history of Japanese-Americans, shared her own experience, and explained to the audience the current situation of Japanese-American journalists.

Although having the same Japanese roots, the history of Japanese-Americans and Japanese-Brazilians are quite different. Audience members commented,
“It was worthwhile to know about the Japanese-Americans, who I didn’t know too much about before.”
“I learned that those immigrated to America went through a lot more hardship than those immigrated to Brazil.”

Traditional Japanese Music Concert Tour in Central America
The second group to tour was the New York-based fue and taiko player, Kaoru Watanabe, and 21-string Koto player, Yumi Kurosawa. They traveled to Costa Rica, Honduras, Trinidad and Tobago, and Panama. Performing traditional pieces and their own original scores, they also played the popular music unique to each country they visited. Needless to say, their performances received a huge rounds of applause and standing ovations.

Taiko demonstration with the audience was particularly popular at every venue. Photo taken in Honduras.	Yumi explains the structure of the 21-string koto. Sigh of amazement were heard from those who had never seen a koto. “Koto was so huge and it was impressive!” said one audience member. Photo taken in Trinidad and Tobago.

Classic Piano Concert Tour in Three Latin American Countries
Pianist Junko Ueno Garrett, based in Los Angeles, conducted a concert tour “East Meets West: A World Journey on the Keyboard.” She traveled to Cuba (the first program to go to Cuba through JAILA!), El Salvador and Mexico to gave lecture/demonstration style performance, surveying the history of Western and Japanese music. In Cuba, Junko conducted an open-class piano lesson and was impressed with the students’ high level of ability. Junko explained that this experience, with everyone so attentive and passionate allowed her to spend “time without borders” through music.

Junko performing in El Salvador.	Autograph signing in El Salvador.

Bringing Japanese Jazz to Jamaica
The final group to tour was the New York based jazz flutist YUKARI and jazz pianist Eri Yamamoto, performing “An Evening of Japanese Jazz” and workshop in Jamaica. Fruitful exchanges were made during the performance through a session with local musicians, and at a workshop where the artists incorporated Japanese phrases such as “Ohayo (Good morning)” and “Konnichiwa (Hello)” to teach participants about rhythms in jazz. Eri commented that it was surprising to know that Japanese songs such as Sukiyaki and Ringo Oiwake are covered by many Jamaican musicians, but that not many people knew that they are original Japanese songs. YUKARI felt the importance of sharing the beauty of Japanese culture on a personal level.

The artists wearing Yukata during a session with saxophonist Dean Fraser and the choir group, University Singers.	Photo with Ambassador Yamaguchi, his wife, and local staff at the Embassy of Japan, whose assistance made this program possible in Jamaica.

For information on the 2010 JAILA program, please visit:
http://www.jfny.org/arts_and_culture/jaila.html

The Opening Ceremony

The year of 2011 is the 150th anniversary of the German-Japanese friendship since the conclusion of friendship and trade treaty between Germany (then Prussia) and Japan. In January, the grand opening ceremony of the anniversary year was held at the Embassy of Japan in Berlin where the Vice- Foreign Minister Yutaka Banno and Ambassador Takahiro Shinyo welcomed the President of Germany Christian Wulf. The ceremony was followed by Noh performance by actors of the Konparu school. A thousand seats for the performance were completely sold out, indicating high interest in this Japanese traditional theater by German audience.

Prof. Ueda, Director of the Institute

Many memorial programs were also scheduled at the Japan Cultural Institute in Cologne: from January to March, the program “Yasujiro Ozu Retrospective” is being held twice a week to present the director’s 21 films, and “Akira Kurosawa Retrospective” is scheduled in this fall.

Starting in February was an exhibition of a novelty, “Contemporary Japanese Book Design” at the Museum of the Printing Arts in Leipzig (opens until March 27). Leipzig is known as the seat of one of the largest book fairs in Germany such as Frankfurt Book Fair. The city has always had a close relationship with Japan; the University of Leipzig concluded the agreement of student exchange with Kyoto University, the first agreement of the kind concluded between Japan and Germany; and the famous composer Rentaro Taki also learned music in this city. Although it is less known to Japanese people, Leipzig has been one of the great centers of publishing ever since the pre-war period, and Japanese bunkobon (paperback) format is said to be derived from Reclam paperback library in Leipzig.

Our Institute in Cologne acted as an intermediary between Printing Museum, Tokyo and the Museum of the Printing Arts in Leipzig to realize this project, which was the first full-fledged exhibition abroad for the Museum from Tokyo. The exhibition consists of eight fields including Literature, Guides, and Manga/Pop Culture. About 100 books of excellent designs from these fields produced during the past decade are exhibited.

On February 11, the rainy evening could not obstructing 200 guests from visiting the museum for the opening ceremony. Many of visitors might come to the exhibition out of curiosity about Japanese books, but the exhibition seemed to satisfy book lovers in Leipzig. Since Japan became the second greatest economic power in the world in 1968, West Germany had been flooded with information about Japan (and some of such information was quite malicious), but people in former East Germany area that had been closed to such information up to 1989 are still eager to hear or see up-to-date information of Japan.

Visitors at the Exhibition

Japanese publishers tend to avoid book fairs in foreign countries because of language barrier, but at this exhibition Japanese sophisticated book design and fine printing technique were highly admired. Japanese book design, some were sensitive and some were bold, attracted a great deal of attention. During the period up to the book fair to be held in the end of March, a number of events are also scheduled, including calligraphy demonstration, introduction to learning Japanese with fun, and a literary talk with Yoko Tawada, Berlin-based Japanese author who won the prestigious Akutagawa Prize.

As one of the organizers, we were pleased to find that many visitors came to the exhibition because they were “interested in the excellent concept of the exhibition” not only out of their love for Japan. We will keep making efforts to provide a wide variety of opportunities for people in Germany to be aware of Japan by cultivating new fields, as we did in this exhibition.