Most recent recommendations from ADC

Since its inception, the ADC’s strategic and holistic set of goals has resulted in tangible contributions to the field in four areas:

1. Cultivating the next generation of Japanese art professionals, a two-pronged strategy that requires providing opportunities for networking and collaboration, such as the JAWS program, and establishing a career pathway;
2. Fostering collaboration among U.S.-Japan arts professionals, such as curatorial exchange;
3. Enhancing resources, such as creation of the new web-based INJArt (International Network for Japanese Art); and
4. Expanding public outreach, such as creation of a new campaign, Arts Japan 2020, to broaden impact and public awareness of Japan-related arts activity.

The CULCON Panels reiterated that the 2020 Olympics and Paralympic Games in Tokyo and the 25th General Conference of ICOM (International Council of Museums) in Kyoto in 2019 provide important opportunities for the arts community to engage a new generation of Japanese culture enthusiasts in the U.S.-Japan dialogue. To this end, CULCON reiterated its recommendation that the ADC continue to meet over the next two years with a focus on concrete results in specific areas and programs. It should continue to explore ways for the important work of the ADC to continue after 2020 with various stakeholders, including the private sector.

Most recent ADC Report

CULCON XXVIII Arts Dialogue Committee: Report Provisional Japanese Translation English translation【PDF:2MB】

About ADC

1. Objectives of ADC

ADC examines future measures to deepen interaction with Japanese art from traditional Japanese art to contemporary art and builds frameworks for cooperation and exchanges among scholars and artists that are beneficial to both the US and Japan.

2. ADC members As of December 2018

Japanese side

  • Hiroyuki Shimatani (Chairman, CULCON member, Director of Kyushu National Museum)
  • Masanobu Ito (Managing Director & Executive Program Director (Visual Arts), Secretariat for JAPONISMES, The Japan Foundation)
  • Yuji Kurihara (Director of Secretariat for National Institute for Cultural Heritage, Executive Vice Director, Kyoto National Museum)
  • Dr. Yukiko Shirahara, Curator Special Assignment, Nezu Museum
  • Dr. Michio Hayashi, Professor, Faculty of Liberal Arts, Sophia University

US side

  • Dr. Anne Nishimura Morse (Chair, CULCON member, William and Helen Pounds Senior Curator of Japanese Art, Museum of Fine Arts, Boston)
  • Dr. Marco Leona (David H. Koch Scientist in Charge, Department of Scientific Research, Metropolitan Museum of Art)
  • Dr. Robert Mintz (Deputy Director, Arts and Programs, The Asian Art Museum of San Francisco)
  • Melissa Rinne (Research Fellow and International Engagement Liaison, Kyoto National Museum)
  • Dr. Gennifer Weisenfeld (Dean of the Humanities, Trinity College of Arts and Sciences, Duke University)
  • Dr. Matthew Welch (Deputy Director & Chief Curator and Curator of Japanese and Korean Art, Minneapolis Institute of Art)
  • Dr. Xiaojin Wu (Curator of Japanese and Korean Art, Seattle Art Museum)

3. History of establishment

(1) At a symposium entitled “Japanese Art in America:Building the Next Generation” and hosted jointly by the Japan Foundation and the Japan Society held in New York in March 2009, the importance of promoting artistic exchange between Japan and the US (particularly interaction with traditional Japanese art) was brought up. This was followed up with the forum “Performing Arts and Art: Toward Developing a Network between Japan and the US” in Tokyo in March 2010, hosted by the Japan Foundation with cooperation from the Agency for Cultural Affairs. This reaffirmed the need for a platform that would enable ongoing dialogue between experts from both countries.

(2) In the joint statement at CULCON XXIV, held in June 2010, CULCON proposed establishing a working group of experts to “examine future measures to deepen interaction with Japanese art from traditional Japanese art to contemporary art and builds frameworks for cooperation and exchanges among scholars and artists that are beneficial to both the US and Japan.” Accordingly, the Arts Dialogue Committee (ADC) was established.

4. ADC’s History

June 2010
ADC established at CULCON XXIV
May 2011
1st ADC meeting at CULCON’s 50th anniversary symposium in Washington DC (attendees)
March 2012
2nd ADC meeting in Tokyo (attendees)
April 2012
Submission of ADC Report to CULCON XXV
January 2013
3rd ADC meeting in Honolulu (attendees)
October 2013
4th ADC meeting at the Otsuka Museum of Art in Naruto, Tokushima in 2013
attendees (Japanese) (English), Symposium entitled “Forum on US and Japanese Art: Future of Museums” hosted by the Agency for Cultural Affairs and the CULCON ADC held
November 2014
US and European Arts and Sciences Liaison Meeting held at the Tokyo National Museum in Tokyo
ADC Report submitted to CULCON XXVI
June 2015
ADC television conference held in Tokyo and locations throughout the US)
November 2015
5th ADC meeting held in Washington DC at the Freer and Arthur M. Sackler Gallery (attendees)
“Curating Japan in Olympic Era 1964/2020” open forum, sponsored by the Freer and Arthur M. Sackler Gallery, held at the Freer and Arthur M. Sackler Gallery
June 2016
ADC Report submitted at the XXVII CULCON
December 2016
6th ADC meeting at the Kyushu National Museum in Fukuoka (attendees)
“Global and Japanese Art: Focus on Trends from 2000” Symposium held by Agency for Cultural Affairs and CULCON ADC
May 2017
Arts Japan 2020 campaign launched
March 2018
7th ADC meeting held at the Minneapolis Institute of Art in Minneapolis, Minnesota (attendees)
June 2018
ADC Report (Japanese) (English) submitted to CULCON XXVIII
January 2019
8th ADC meeting at the Tokyo National Museum (Agenda【PDF:155KB】/ Participants【PDF:190KB】)
September 2019
On September 6th, 9th ADC meeting (Agenda【PDF:138KB】/ Participants【PDF:90KB】) and ADC Symposium on the Occasion of the ICOM Kyoto General Conference (Agenda【PDF:189KB】) was held at Kyoto National Museum

5. Results

  1. (1)

    ADC members agreed that the International Workshop on Japanese Art History for Graduate Students (JAWS), which is intended to cultivate the next generation of Japanese art professionals, is signficant for its achievements in forming an international network of young art scholars and creating career pathways for Japanese art experts, and decided to support its resumption.

    In August 2012, the Tenth JAWS conference was held at Tokyo University of the Arts in Tokyo with funding from the Agency for Cultural Affairs and the Kajima Foundation for the Arts. When a pamphlet on previous JAWS participants was created, we found that 90% of participants were working in the art world.
    In March 2017, the 11th JAWS conference was held at Harvard University and the Museum of Fine Arts, Boston, with funding from the Japan-US Friendship Commission, Harvard’s Reischauer Institute of Japanese Studies, the Rockeffer Fund for East Asian Art, and the Kajima Foundation for the Arts.
    The next JAWS conference is to be held in Japan in 2020.

  2. (2)

    ADC recommends making the existing programs a permanent part of the Japanese sections of US museums. At the same time, it promotes further application of and improvements to Japan’s new laws onJapan’s system for preserving art and cultural properties, which have created obstacles for the lending of such works to US museums.

    The Guidelines on the Handling of National Treasures and Important Cultural Properties was discussed by the Agency for Cultural Affairs and revised in January 2018.

  3. (3)

    ADC particularly values the joint planning of future exhibits and exchanges between US and Japanese scholars and academics that would lead to the application of a new collaborative model to that end, and recommends that a framework be established for a new curator exchange.

    In 2014, the Tokyo National Museum established the “Curatorial Exchange Program for Japanese Arts Specialists Abroad Planning Committee,” and since then, has been held every year for Japanese art specialists

    The Japan Foundation has held the Japan-US Curatorial Exchange Program every year since 2010.

  4. (4)

    ADC has pointed to the need to form a solid foundation for the cultivation of the next generation of Japanese art specialists in the US.

    The Japan Foundation began the US and European Museum Infrastructure Support Program in 2016, which primarily covered the hiring of staff. Three US museums were given support. Since staff can be hired for a maximum of five years, there are no new applications during that period.

    The JICC Seasonal Art Lecture Series from Emerging Cultures “Scholar Spotlight” held at the Japan Information & Culture Center of the Embassy of Japan not only provides the general public with opportunities, but also provides a forum for discussion on research into Japanese art by rising scholars in the art field.

  5. (5)

    ADC recommended the establishment of a bilingual digital clearinghouse for the US and Japan’s art archives to spur interaction and cooperation between Japanese researchers and US organizations.

    With the support of the Minneapolis Institute of Art, the International Network for Japanese Art (INJArt) was launched (currently at the beta test stage).

  6. (6)

    The ADC will develop programs and hold various events throughout the US ahead of the 2020 Olympics and Paralympic Games in Tokyo. To this end, sponsors for large-scale exhibitions should be secured, innovative programs should be planned, and educational activities based on a calendar covering all of the events prepared.

    With funding from the Japan-US Friendship Commission, the ADC “incubated” Arts Japan 2020, a new online celebration of Japan-related cultural programs across the US.

  7. (7)

    ADC recommended that it take the opportunity of the 25th General Conference of International Council of Museums (ICOM), to be held in 2019, to discuss becoming an affiliated organization of ICOM after ADC is disbanded.

    It was proposed that the ADC organize the session on Japanese art as the Open Session organized and run by the host country at the ICOM’s General Conference held in Kyoto.

6. Future activities

May 2020
ADC Final Report will be submitted at the CULCON XXIX
2020
12th JAWS conference to be held in Japan
2020
5th Exchange for Japanese Specialists at North American and European Museums/ Symposium held on exchange program

ADC will attempt to become an affiliated organization of ICOM so that it can continue with its activities and broaden its scope. The roadmap for this will be submitted to the XXIX CULCON to be held in 2020. The form that artistic exchanges between Japan and the US from 2021 within CULCON should be considered.

ADC Forum