Performances of “Magic Maids” Conceived, Choreographed, and Performed by Eisa Jocson (Philippines) and Venuri Perera (Sri Lanka) and Related Events

Performances of [Magic Maids]. Two actors on stage are dancing while holding brooms in both hands.
photo by Bernie Ng, courtesy of Esplanade – Theatres on the Bay, Singapore

The Japan Foundation and Shizuoka Performing Arts Center (SPAC) will cohost BIOTOPE, a three-year exchange program for people involved in the performing arts in Japan and ASEAN, from 2026 to 2028. As part of the program’s inaugural year, “Magic Maids” conceived, choreographed, and performed by Eisa Jocson and Venuri Perera will be presented at World Theatre Festival Shizuoka 2026. Two workshops led by the artists will also be held as related events. In these workshops, the artists will introduce their respective creative approaches and thought processes. There will also be time for interactive learning through dialogue and an exchange of views with the participants. Interaction between artists and participants from different backgrounds is aimed at creating opportunities for the birth of new perspectives and creative inspiration.

A broom is hanging from the ceiling of the stage.
Photo by Jörg Baumann

There are two actors on stage straddling deck brushes.
photo by Bernie Ng,
courtesy of Esplanade – Theatres on the Bay, Singapore

The actor is holding a broom in both hands on the stage.
Photo by Jörg Baumann

Testimony told by bodies and resistance unleashed by brooms
Filipina Eisa Jocson and Sri Lankan Venuri Perera have drawn international acclaim for their work focusing on gender, labor, and violent nationalism. Both artists were born and raised in regions that send many care workers and domestic workers overseas, and they have collected the stories of these female workers, the echoes of which now haunt their bodies. As the repeated movement of sweeping makes the roles and silence imposed on women’s bodies visible, the broom transforms from a symbol of oppression into an instrument of resistance and solidarity. Rather than being bound by specific viewpoints or experiences, the form of resistance that arises from the artists’ ironic, humorous gestures and storytelling resonates with viewers by stimulating their physical senses.

Performance Information

Related Events

Workshop for Theatre Practitioners by Eisa Jocson and Venuri Perera

Based on research into Southeast Asian maids working overseas, “Magic Maids” has been performed worldwide, drawing huge acclaim. In this workshop, Eisa Jocson and Venuri Perera, the work’s creators and performers, will share how they developed the work and how it was received in each country. There will also be an opportunity to physically experience the art of “broomology,” which they invented for the work. Playwrights, directors, actors, producers, and others interested in Southeast Asian theater practices may find inspiration for their future activities.

Workshop for Magic Maids: Broomology 101

Sweep away stereotypes with a broom in hand! The familiar cleaning tool serves as a gateway to exploring the relationships between our bodies, imaginations, and collectivity in this two-hour workshop. The broom is used as a symbol linking the two contrasting archetypes of “Witch” and “Maid.” By sharing and repeating the actual movement of sweeping with a broom, participants will experience small changes in perception and fluctuations in their distance from others. While introducing the physical approach underlying Magic Maids, the two artists will also delve into their own creative backgrounds and ways of thinking.

Artist Profiles

Eisa Jocson(Philippines)

Portrait of Eisa Jocson

Eisa Jocson is an interdisciplinary artist based in La Union, Philippines. Trained as a visual artist with a background in ballet, she came to contemporary dance through pole dancing. In her works, she explores body politics in the service and entertainment industry as seen through the socioeconomic lens of the Philippines. She studies how the body moves and what conditions make it move – be it social mobility or movement out of the Philippines through migrant work. In her creations, from ‘Death of the Pole Dancer’ to ‘Macho Dancer’ to ‘Host’ to ‘Princess’ to ‘Superwoman Band’ and ‘Manila Zoo’ – capital is the driving force of movement pushing the indentured body into ‘developed’ geographies. She regularly presents her pieces at renowned theatres and international festivals in Asia and Europe, such as Tanz im August, TPAM Yokohama, Zürcher Theaterspektakel and Frankfurter Positionen. She is a recipient of the 2018 Cultural Centre of the Philippines 13 Artists Award, the Hugo Boss Asia Art Award 2019, the SeMa-HANA Award 2021 and the Tabori Award International 2023.

Venuri Perera (Sri Lanka)

Portrait of Venuri Perera

Venuri Perera is an independent artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she attempts to destabilize and disorient how we perceive the ‘other.’ Her solo and collaborative works deal with violent nationalism, patriarchy, immigration, colonial heritage, class, and have been invited to festivals/symposia across Europe, South and East Asia, Middle East and Africa since 2008. She has closely collaborated with choreographers Geumhyung Jeong (SK) (Theatre Spektakel / Monsoon Australia), Natsuko Tezuka (JP) (Kyoto Experiment / SIFA Singapore). Perera conceived and curated the projects of the Colombo Dance Platform (Goethe-Institut) and is a member of the Dance Panel of the Arts Council in Sri Lanka. A graduate of DAS Theatre, she is currently based between Amsterdam and Colombo.

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