Serendipity:
Photography, Video, Experimental Film and Multimedia Installation from Asia
Exhibition

This was the first exhibition organized by the Japan Foundation Asia Center in the 2000s and the first to deal predominantly with the medium of photography and video art. As noted in the exhibition pamphlet, the featured photography and video art by Asian artists (from China, India, Indonesia, Japan, Korea, the Philippines, Thailand, and Vietnam) were selected as examples of works that “capture the shadows of things not yet on screen, pass through marks left on paper, and manifest bygone light.” Moreover, through the Indonesian shadow puppetry tradition of wayang kulit, the exhibition examined the state of video and film art at the start of the 21st century.
Dates & Venue (Tokyo) |
January 15–February 19, 2000 |
---|---|
The Japan Foundation Forum | |
Curators | Minato Chihiro (Associate Professor, Tama Art University) |
Artists | China Wu Xiaojun, Zhang Dali, Zhao Shaoruo (Hong Kong) Mark Chan, Rita Hui India Ashim Ghosh, Ram Rahman Indonesia Yudhi Soerjoatmodjo Japan Hatakeyama Naoya, Ito Takashi, Suzuki Risaku Korea Kim Hae Min, Kim Yun Tae, Park Hwa Young Philippines Alex Baluyut, Ting-Ting Calzo, Auraeus Solito Thailand Atipat Kamonpech, Pimpaka Towaira Vietnam Nguyen Bao Nguyen |
Organizers | The Japan Foundation Asia Center |
Related Programs | Symposium “Video / Photography / Film in Asia Ⅰ: Through Photography” January 14, 2000 / The Japan Foundation Conference Hall / Panelists: Ashim Ghosh, Hatakeyama Naoya, Minato Chihiro, Park Hwa Young, Yudhi Soerjoatmodjo Symposium “Video / Photography / Film in Asia Ⅱ: Through Photography” January 28, 2000 / The Japan Foundation Conference Hall / Panelists: Ito Takashi, Christoph Janetzko, Minato Chihiro 16mm Film Screening January 29 and February 5, 2000 / The Japan Foundation Asia Center Lecture Room |
Catalogue

Serendipity: Photography, Video, Experimental Film and Multimedia Installation from Asia
Edited by Furuichi Yasuko
- Publisher:
Tokyo: The Japan Foundation Asia Center
- Year:
2000
- Total Number of Pages:
160
- Size:
26 cm
- Language:
Japanese (jpn); English (eng)
- NCID:
BA45293233
[Contents]
p. 4 | Foreword | |
p. 11 | 見えないものが棲むところ | |
p. 25 | Plates | |
p. 27 | 1. The Territory of Shadows | |
p. 30 | 2. Séance Time | |
p. 36 | 3. A Site of Comings and Goings | |
p. 46 | 4. Serendipity, or Alternative Histories | |
p. 52 | 5. Invisible City | |
p. 62 | 6. Foreshadowing of Metamorphosis | |
p. 70 | アジアにおける実験映画ワークショップ | |
p. 76 | タイにおける実験映画、およびヴィデオ・インスタレーションのあり方 | |
p. 84 | 韓国のヴィデオ・アートとシャーマニズム | |
p. 88 | 集団的記憶のシステム、国家の肖像─CASAドキュメンテーション・センター | |
p. 93 | 中国現代美術における写真 | |
p. 97 | 空間の挑戦:インドネシアの写真 1841–1999 | |
p. 105 | 出品作家略歴 | |
p. 114 | Where the Invisible Lives | |
p. 123 | Experimental Film Production Workshops in Asia | |
p. 128 | Experimental and Art Film and Video Installation in Thailand | |
p. 133 | Korean Video Art and Shamanism | |
p. 137 | A System of Collective Memory, Projecting an Image of the Nation: The CASA Documentation Centre | |
p. 140 | Photography in Contemporary Chinese Art | |
p. 143 | The Challenge of Space: Photography in Indonesia, 1841–1999 | |
p. 149 | Artists' Biography | |
p. 153 | List of Works / 出品作品リスト | |
p. 157 | Notes on Contributors / 執筆者 |
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